From Philip K. Dick’s The Man in the High Castle (1962), on Nazis: “They’re not idealists . . . they’re cynics with utter faith.” . . .
I have been subscribed to J.D. Lasica’s blog for some time, so I looked forward to reading his book, Darknet: Hollywood’s War against the Generation1. But despite the rich supply of research and interviews with insiders to the conflict around copyright and piracy, I found the book disappointing and lacking in depth.
The door refused to open. It said, “Five cents, please.”He searched his pockets. No more coins; nothing. . . . “What I pay you,” he informed it, “is in the nature of a gratuity. I don’t have to pay you.”
“I think otherwise,” the door said. “Look in the purchase contract you signed whin you bought this conapt.”
— Philip K. Dick, Ubik
Much of the successful fantasy that I have read is obsessed with prophecy. Perhaps it makes sense: it harkens back to the old idea of cyclic time, the reassurance that what was will be again. But I don’t get it. Prophecy robs the characters of agency; it turns them into puppets. Yet it comes up again and again in the most successful fantasy—and science fiction. …
I’ve been reading about hackers, open source, Microsoft, project management, and the golden age of cities. . . .